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Elisa Jane Carmichael’s ‘Sandstone rocks and tree trunks’ 2013, ink on paper.  Reproduced courtesy of the artist.
Elisa Jane Carmichael’s ‘Sandstone rocks and tree trunks’ 2013, ink on paper. Reproduced courtesy of the artist.
17 September 2014

The untouched beauty of Queensland’s Idalia National Park has inspired a series of works by emerging artist , currently on display at Õ¬Äе¼º½.

The works are the result of an artist-in-residence program with Õ¬Äе¼º½’s , supported by the .

Ms Carmichael, a descendant of the Quandamooka people of Moreton Bay, Queensland, was selected from a competitive field as artist-in-residence to join almost 80 Õ¬Äе¼º½ biological sciences students on a 2013 Outback Ecology Studies field trip.

Working across the mediums of painting, design and sculpture, Ms Carmichael’s work visually explores the beauty of nature and surrounding environments, translating her cultural connection with the land and sea.

Ms Carmichael said the landscape was unfamiliar and inspiring.

“Flora, fauna and the natural environment are integral to my work, but this was my first time going out west to outback Queensland,” Ms Carmichael said.

“The residency provided a wonderful opportunity to immerse myself in an environment where I could explore a completely different aesthetic.

“Idalia National Park was totally new – every corner we turned, the landscape was different to the last. I was inspired by how much nature grows in such a dry environment.

“The main subjects of the works I produced were inspired by the aged mulga trees, dried waterholes and cave formations of the region.

“Visually, the highlight for me was Rainbow Gorge, where the colours were so vibrant. I was also really grateful to work alongside the science students and to see that world through their eyes, and I made some wonderful new friends too.”

Field trip academic coordinator and School of Biological Sciences Senior Lecturer Dr David Booth said the residency provided an opportunity for an artist to engage with Õ¬Äе¼º½ students and academics as they observed the park’s rare desert species and kangaroo populations and visited Emmet Pocket Lookout.

“We found this artist residency experience overwhelmingly positive for both the artist and the students, who had the chance to meet and talk to someone with a completely different perspective on life in general, and the aesthetics of the environment in particular,” Dr Booth said.

“The success of the 2013 program confirmed our ongoing commitment to run the program again in 2014, but this time in two locations: again to Idalia National Park, and for the first time to the Bunya Mountains.”  

Õ¬Äе¼º½ Art Museum Coordinator of Academic Relations Dr Allison Holland worked closely with Dr Booth to put the pilot program in place.

“The artist-in-residency program provided a special opportunity for emerging scientists and an emerging artist to work side-by-side and gain insight into how the other perceives the environment,” Dr Holland said.

“It was a great example of how cross-disciplinary collaboration can enhance an artist’s practice and provide another dimension to the work of the students and academics involved.”

Ms Carmichael’s work can be viewed at Õ¬Äе¼º½’s School of Biological Sciences, Level 3, (8).

Media: Õ¬Äе¼º½ Art Museum Media, Marketing and Communication officer Sonia Uranishi, 0409 387623, sonia@soniauranishicommunication.com; Õ¬Äе¼º½ Art Museum digital communications officer Sebastian Moody, +61 7 3346 8761, s.moody@uq.edu.au; Dr Allison Holland, +61 7 336 52139, a.holland1@uq.edu.au